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 E Canon FD 50mm 14 SSC VERY BRIGHT VERY SHALLOW DEPTH OF FIELD  US $81.00
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 Sigma 70 300mm f 4 56 DL Macro Super Pentax K Mount US $99.00
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 Canon 28mm f28 Lens Excellent Condition US $20.47
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Which Is Better For Photography, Film Or Digital?
Author: Nathan Deremer
Article Source: MiNeeds.com, where consumers get competitive bids from Photographers. Read reviews, compare offers & save. It’s free!
Article Link: http://www.mineeds.com/Jacksonville/Deremer-Studios/Articles/Which-is-better-for-photography-film-or-digital
Tags: Photography , Cameras , which is better , film , digital , low light
More than once, I've encountered folks who are unsure that a digital camera can equal the capabilities of a film camera. And in some senses, they have a right to be concerned. But overall, the results are clear - modern profession digital SLR cameras now have a big edge.
So, what's the difference you may ask?
Film Slr Cameras
1. Low light capabilities are determined by film speed - the higher the number, the lower the light they can handle. Even with professional film, grain goes up considerably as you increase the film speed. That being said, the actual grain on a film print can be desirable (and digitally duplicated) for some settings and tastes.
2. Your resolution is limited by your film. The better the film you purchase, the better it's capability to be blown up, but with any 35mm film, enlargements beyond 8x10 will lose their crispness.
Digital Point and Shoot Cameras
These cameras often give digital photography a bad name. Outside, with good light, the photos look great, but everyone has seen a digital photo where the person is either extremely dark, or glowing. The color doesn't seem to be great, and anytime you take a night time shot, the background is pitch black. Here's why you shouldn't do most shoots with this type of camera.
1. Small image sensor. Unlike your film or digital SLR, the sensors on these cameras are a fraction of the size, enabling a compact camera. But you lose a lot when you make this compromise. Add a high megapixel rating, and the problem is compounded. Simply put, these cameras will have much more noise and less clarity whenever you encounter anything but bright light.
2. No external flash. Having only a small onboard direct flash makes for photos that are either washed out or too dark - if you have multiple subjects, sometimes you'll get a bit of both.
3. No interchangeable lenses - having only one fixed lens means usually you have a high aperture (which doesn't allow lots of light in) as well as issues with wide angle and zoom shots. And as a note, never use digital zoom - turn that feature off.
Digital SLR Cameras
Sigital SLRs have come a long way in the past 15 years. From being an expensive novelty, to professional mainstream. Even in the past 6 years (since I started our business), the gains have been noticeable and wonderful. I started with a 6.0 MP Canon that worked well, but still didn't handle low-light scenarios as well as a nice film SLR. Today, we shoot with a 21 MP Canon that blows even your high end film cameras out of the water in both resolution and low light capabilities.
1. Bigger image sensor. Whether you are shooting a 4/3 sensor or a full size sensor with your SLR, it is many times larger than even your best point and shoot cameras. This allows for a larger spacing between pixel sensors and makes for much better low light capabilities.
2. Better resolution. I shoot a Canon 5D MkII which shoots 21 MP images - and at that size, I can blow my photos up to poster size without loosing clarity. Do that with a 35mm negative, and you would have a very soft image.
3. Interchangeable lenses. Having this capability, like in the 35mm SLRs is wonderful. It allows you to have a variety of lenses catered to your exact needs - whether it be low light, long range, or wide angle shots.
4. External flash. This is one of the biggest components of a good photo. Having an external flash allows for so much more lighting options - far improved over the point and shoot.
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Which Is Better For Photography, Film Or Digital?
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E Canon FD 50mm 14 SSC VERY BRIGHT VERY SHALLOW DEPTH OF FIELD US $81.00
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Sigma 70 300mm f 4 56 DL Macro Super Pentax K Mount US $99.00
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Canon 28mm f28 Lens Excellent Condition US $20.47
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 Canon EF 24 mm F 28 Lens MINT US $255.00
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 58MM LENS HOODUV FILTERCAPMORE FOR CANON T1i T2i T3i US $10.89
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 Olympus Zuiko Digital 25 mm F 28 Lens For Four Thirds MINT US $158.05
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 Nikon AF Nikkor 70 300mm f 4 56G Lens US $149.99
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 77MM 77 Lens neutral density ND2 ND4 ND8 UV CPL filter kit f SLR camera US $30.96
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 Canon EF70 200mm f 28L USM Telephoto Zoom Lens US $911.00
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 Nikon AF S NIKKOR 300mm f 28G ED VR II Lens US $5,108.95
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 E Pentax Takumar 135mm 25 Bayonet w Caps ME MX K1000 US $38.70
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 OLYMPUS OM SYSTEM SILVERNOSED ZUIKO 200mm F 4 CASE NEAR MINT US $62.00
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 Canon 300mm 28 L IS USM US $3,125.77
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 Wide Angle Lens 043x w Macro for Nikon D3100 D5100 D70 US $24.89
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 Canon TC 14 X II Teleconverter US $183.51
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 Nikon 70 300mm AF G Lens NIKON AF 70 300mm G LENS US $259.99
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 52mm UV Protector Lens Filter for Nikon D50 D40 SLR D60 US $3.87
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 E SMC Compact Pentax M 28mm F28 w Caps ME MX K1000 US $54.00
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 NEW In Box Canon 80 200mm EF f 45 56 II SLR Zoom Lens US $89.99
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 Nikon Nikkor 20 mm F 28 Lens US $191.38
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 New 040x Wide Angle Fisheye Macro Lens for Nikon D5000 D3x D90 D700 D60 D3 52mm US $36.97
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 Nikon 50mm f14 AI Lens US $68.00
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 49mm UV Clear Filter Lens Protection Filter NEW US $3.41
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 2000mm D90 Telescope for Nikon D80 D60 D90 D300s D3000 D5000 D3100 D5100 D7000 US $299.99
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 Sigma 14mm f 35 for Nikon US $133.50
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 HOODUVADAPTERCAP 58mm 4Canon POWERSHOT SX20 SX1 IS US $34.75
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 Contax Zeiss Planar 50mm f14 14 Lens for Contax Yashica US $296.00
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